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In the Zones (of Narrative Change work)
The term ‘narrative change' is used a lot these days, but since it has many overlapping meanings and entails very different functions and applications, conversations between people who say they do narrative change can sometimes get a little confusing. There are several contending or competing conceptions of what narrative change aims to do—the ends of narrative change—and how we should be doing it—the means.
Funding Narrative Ecosystems: The Highlights
In Philea’s “How philanthropy can fund the infrastructure for narrative power,” IRIS colleague Mandy Van Deven shares highlights from her panel during last year’s Confluence: Building Narrative Power. “How to Fund Narrative Ecosystems,” an in-depth analysis by Mandy and Jody Myrum, includes guiding principles and practice implications for funders supporting narrative change through their grantmaking as well as their capacity building.
Digging out from Narrative Collapse
In a widely viewed TedX talk back in 2009, Tyler Cowen urged his audience to be suspicious of stories. Cowen’s advice came in the context of increasing use of storytelling that Cowen felt could be manipulative because it moved people while hiding its creators’ biases, perspectives, and assumptions.
In an article in The Atlantic in 2023, James Parker observed that we now distrust narrative. We are in a crisis of narrative. Not (just) a contestation between different stories but a contestation and crisis over narrative itself. So what does all of this mean for those of us who work in the world of story and narrative?
A Safe Space to Share Everything: Redefining Success and Celebrating Interdependence
In May 2023, Global Impact Producers Alliance (GIPA) hosted a two-day, two-timezone Virtual Assembly for the community of impact practitioners to connect, learn, grow and more than anything: create a Safe Space to Share Everything. During the Share Everything event, GIPA comrade Maya Newell asked an important question: how do we turn distribution campaign priorities upside down?
How We Think About Thinking
It’s time to be more intentional about using machine metaphors for machines and telling better stories about humans.
Through descriptive language, music, sounds and images, stories engage our senses and our embodied thinking. They combine emotion, factual information and various forms of tacit knowledge, often in deceptively simple ways.
May 2023 Update from IRIS
May 2023 Newsletter from the International Resource for Impact and Storytelling
Virtual Postcard: Storytellers’ Community Breakfast at the Skoll World Forum
In April 2023, IRIS and the Skoll Foundation co-hosted the first Storytellers’ Community Breakfast at the Skoll World Forum, gathering over 100 story stakeholders.
Jornalismo, interesse público e democracia | Journalism, public interest & democracy
Jornalismo, interesse público e democracia. Por Paula Miraglia, Co-fundadora e Diretora Geral do Nexo Jornal.
Virtual Postcard: IRIS Tertúlias
In 2022, IRIS hosted a series of events we call Tertúlias.
Home Within: Imagining Syria’s Future
In 2011, I had been forced out of Syria at the height of the crackdown of its peaceful revolution. I have yet to visit the country again, and may never be able to return to my home there.
February 2023 Update from IRIS
February 2023 Newsletter from the International Resource for Impact and Storytelling
2022 Retrospective from IRIS
Special Update from the International Resource for Impact and Storytelling
Blurring the Boundaries
We need new ways of thinking about our narrative change work.
When people think beyond the immediate problem they are trying to solve, when they envision a world in which they’ve already won, those visions of a just world end up being remarkably similar, no matter what issue they started from.
December 2022 Update from IRIS
December Newsletter from the International Resource for Impact and Storytelling
Shifting Power through Storytelling: Learning, Unlearning and Feminism
What does it mean to tell our own stories? What does it mean to speak out and to be listened to, or to write and to have our words read? When stories are told, whose voices ring the loudest? Who determines which of our stories are amplified … or even valid? These questions are not new, the answers far from simple.
How can foundations and nonprofits support culture change in a divided media landscape?
A large and growing partisan media divide presents challenges to those using popular culture to promote democratic values across society.
Impact will require more attention to audiences than ever.